Biographical Database of NAWSA Suffragists, 1890–1920
Biography of Maude C. Waitt, b.1878-d.1935
By Jeannine Vegh, M.A., I.M.F.T. Psychotherapist and Author
jkvegh.com and ohiowomenshistory.com
Women’s City Club of Cleveland, Citizen’s League of Cleveland, Women’s Civic League of Lakewood, Ohio Women’s Suffrage Association, Western Reserve Chapter of the Daughters of the American Revolution, Ladies of the G.A.R., City Council of Lakewood, Lakewood Republican Club and Ohio General Assembly – State Senate
Maude Edith Comstock was born on August 11, 1878 in Middlebury, VT. Her parents were Orvis Foster Comstock and Mary Severence (née Hickey). She was the last of seven children but only three survived into adulthood. She met and later married Walter Gustavus Waitt on June 25, 1903 in Melrose, MA. They had a daughter, Doris Ida who was born on March 7, 1909 (died 1995) after moving to Ohio. Doris would go on to wed a year after her mother died and does not appear to have had any children. Prior to marriage Maude taught in Vermont and then Massachusetts before becoming a principal at a grammar school there. Mr. and Mrs. Waitt would stay married until her death on December 13, 1935.
In 1914, Maude and her husband, moved to Lakewood, Ohio, where suffrage had been on the ballot for the second time in the state and failed. Two years prior, the Ohio Constitution had allowed cities the right to frame their own suffrage charters and create municipal offices. Then, three years after the couple had moved to the area, Lakewood passed municipal suffrage, which allowed women in the district to vote on municipal issues. This passed with the support of Maude, C.E. Kendall, and Bernice Pyke. At the same time, Maude organized citizenship classes to enable new voters from the immigrant pool.
In 1918, she became the Chair of the Lakewood Women’s Suffrage party. She urged women to “do our part in making the world safe for democracy.” In this position, she sold $800,000 worth of Liberty bonds for the fourth drive. As a result, the Lakewood Press, on October 18, 1918 stated “They [Lakewood Women’s Suffrage party] have demonstrated their capacity to measure up to every obligation of full-fledged citizenship. Only a narrow minded man in this day of wonderful emancipation would seek to deny women the right to National Suffrage.” The article went on to exclaim “here’s to the ladies; once our superiors, now our equals.”
In 1920, Ohio was the fifth state to ratify the nineteenth federal amendment to the constitution. In 1921, Maude was elected to the City Council of Lakewood. One year later, she would resign as she was now one of the first of six women elected to the Ohio General Assembly in the State Senate. Maude was the first woman for the twenty-fifth Senatorial District. She held the title of the Honorable Mrs. Waitt. She would be re-elected in 1926 and 1930 for a four year term limit. During her three terms she sat on the following Senate committees and was the Chair for three of these: 1. Benevolent Institutions (Chair); 2. Prison and Prison Reforms (Chair); 3. Library (Chair); 4. Public Health; 5. Commercial Corporations; and 6. Soldiers and Sailors Orphan’s Home. She also introduced three bills SB 130, SB 138 and SB 252, and these were all signed into law. The first bill, SB 130 dealt with the sale and conveyance of portions of the Cleveland State Hospital. The second bill, SB 138, allowed the state medical board to appoint visiting teachers for recognized schools of nursing. The last bill SB 252 required schools to prevent sudden cardiac arrest (this is now known as Lindsay’s Law).
After a long illness, Maude passed on December 13, 1935 in Lakewood, Ohio. She was fifty-seven years old.
Sources:
“Hulbert Family Tree”. Ancestry, search.ancestry.com/.
Coates, William R. “Biography of Mrs. Maude C. Waitt.” A History of Cuyahoga County and the City of Cleveland, The American Historical Society, Chicago and New York, 1924.
Online Biographies, The American Historical Society, Chicago and New York 1924, http://www.onlinebiographies.info/oh/cuya/wait-mc.htm.
“Ladies Gallery.” The Ohio Statehouse, edited by Ohio Women’s Policy and Research Commission, http://www.ohiostatehouse.org/museum/ladies-gallery?3.
A card advertising Ms. Waitt’s run for State Senate. A Service of Ohio’s Public Broadcasting Stations. Ohio Ladies Gallery. The Ohio Channel, http://www.ohiochannel.org/video/e-elect-maude-c-waitt.
A Dream and What Became of It. A Service of Ohio’s Public Broadcasting Stations. Lakewood Press 1/1/1921. The Ohio Channel, http://www.ohiochannel.org/video/a-dream-and-what-came-of-it.
The following resources were courtesy of: The Lakewood Historical Society, est. 1952, Jessamyn Yenni, M.A., Curator
Borchert, Jim, and Susan Borchert. Lakewood the First 100 Years. Norfolk, VA, Donning County, 1989.
Butler, Margaret Manor. The Lakewood Story. New York, NY, Stratford House, 1949.
Allen, Florence E., and Mary Welles, compilers. The Ohio Women’s Suffrage Movement: A Certain Unalienable Right. USA, 1952.
“Editorial.” Lakewood Press [Lakewood], 18 Oct. 1918.
League of Women Voters of Lakewood 1922-1967: A Glimpse at the First Forty-five Years. Lakewood, 1968.
Abbott, Virginia Clark, compiler. The History of Women’s Suffrage and League of Women’s Voters in Cuyahoga County, 1911-1945. William Feather Company, 1949.
Thank you to the Ohio History Connection on-site library for their support with Ancestry.
Special Note: This will soon be on a database for the WOMEN AND SOCIAL MOVEMENTS IN THE UNITED STATES, co-published by the Center for the Historical Study of Women and Gender at Binghamton University and the online publisher Alexander Street.
A French Village is set in German occupied France, World War II. We are being shown local townspeople being forced to make choices to survive. It is romantic, because there is always love when you are in a traumatic situation. It is not biased and so you see bad Germans and bad French. What is amazing is that the most important thing that you see is people at war. As you watch it, you have to try not to view this from the lens of an educated person who obviously knows what happened during WWII. You must try to behave as ignorantly as the characters are to have an ability to appreciate their choices and empathize with them. Some people you don’t empathize with such as the character Heinrich Müller, who enjoys putting cigarettes out on people. Including the one he loved.







Lovely sculptures inhabit the property, none of which were probably there when the sisters lived there. One is a sculpture of the two of them as teens in the “Sisters Garden” which is meant to look like a miniature farm. The art piece which struck me the oddest was Sky Woman on a turtle. I believe there is a Native American story behind this as the woman appears to be of this background. There is an Iroquois story book you can get online called “Sky Woman and the Big Turtle.” The tribe was once found along the St. Lawrence River in New York. Perhaps the sculpture was based on this story (I didn’t find a reference to it at the park). I would love to get a smaller version of it though as it is very beautiful and unique. I am sure my friends in the Sand Play Therapists world could have a day discussing this.










I have since attended a couple of operas and I have tried listening to other sopranos but I just don’t get the same feelings as I do when I listen to Ms. Callas. It is hard to explain. It seems to be that I am in love with the person, not the genre and the passionate way she projects herself. I get the same feelings when I listen to a gypsy violin, especially when it is played to sound like a bird singing. This is when the violin is transformed to become another entity as if it is shapeshifting. I like other instruments (except the flute) and I appreciate other violinists but not quite as much as a gypsy violin player.
When I was a young girl, my best friend used to play classical music records at the highest volume so that they could permeate our environment and I was forced to immerse myself in a genre that, at that time, I did not appreciate. Most kids our age were doing this with head banging music, which neither of us liked. Now, I find myself doing this with Ms. Callas’s music. If it is not loud one cannot hear it upstairs while on the computer.






the streets of Paris. I found myself caught up in visualizing what this might have been like, though I have seen many period pieces that have shown this. What is funny about this book is that one might think every famous woman in Paris was a lesbian, considering her exploits. What I began to gather though, is that at this time women she chased, who were well-bred ladies like herself (for the most part) and many of them married, only knew what they were allowed to behave like with a man. Natalie introduced them to newer, more promiscuous and perhaps sometimes even safer ways to be able to express oneself. Most women at that time were more comfortable with other women. I have read in other historical books that lesbian type behaviors were actually acceptable in women’s schools and colleges. It kept them from focusing on boys but was considered natural behaviors too. Once they married it was meant to end of course and they were meant to behave in a manner fitting a betrothed spouse. With Natalie’s lovers, sometimes this happened; sometimes they continued the affair and on occasion a ménage-a-tois.