We three Leos’ have read your books which were handed down from one to another. First, it was Lia, who once was a little toddler that crossed the border from Hungary in 1956 with mommy and daddy. She was sick and they were granted passage on a plane to get her to America more quickly, I believe from an Austrian camp. Then it was her mother, Marika neni who read it next. Marika neni has told me her story many times of coming to this country. She was a woman I grew up with, who was like an aunt but more of a sister to my stepfather. Lia was our babysitter in my formative years. Marika neni and my stepfather met at Camp Kilmer in New Jersey, when a group of refugees decided on Wheeling for their new home.
The Perfect Host stars David Hyde Pierce as Warwick Wilson, in an outstanding performance as a first-class creep. He has gone a long way from Niles on Frasier, our first cerebral goofball to see on television. As a psychotherapist, I always reveled in that show and the intellectually snobbery between he and his brother. In this role as Warwick, he has stepped into a new dimension (perhaps he has done this in another role, but this is my first time to see him in this type of character portrayal) and mesmerized me the entire time. The dissociative identity disorder idea was flabby in the storyline but made sense, nonetheless. He could have been schizophrenic as well, but I think the writer wanted to portray DID instead.
In this past year, the world has been at war with a virus. Everyone has been included: nurses, psychotherapists, doctors, lawyers, no one has been excluded from the fear that has besieged us. Being with our clients and patients we are in the same boat and this has challenged us to be strong in the face of fear. There was no where in the world we could run to; to get away. We all had to face what was happening individually and as a collective. We all handled this in our own way. A way that made us feel comfortable with our beliefs, our culture, our environment and what we knew to be right.
It has been a time when our faith in ourselves, others, and our spiritual beliefs have been put to the test. Some people have been afraid, so very afraid that violence ensued. Other people went into hiding hoping for the best. Some people felt a need to stand up to this fear and assert their privilege as a human being. No one was wrong because they were being true to themselves. Mistakes were made that will have to be paid for in the long term. This year will begin to show its true colors, in the future that is to come. An awareness after we have had time to sit back, discover the lessons and realize what price was paid for our actions. At the moment, everyone feels that they are right and everyone else is wrong.
I am a huge fan of the Song of Bernadette with Jennifer Jones (1943). In fact, that movie changed my life spiritually. More recently, I read the non-fiction by Franz Werfel and this moved me even more – his story was included; another miracle from the Lady of Lourdes. I am also a psychotherapist for a living and if a movie is made correctly, I can figure it out from the get go. If you have ever watched the Poirot series by Agatha Christie, recall the scene where he is watching a play with his side kick, Inspector Hastings. Poirot is telling Hastings what will happen but it doesn’t and he is confused why it was written that way. That is me in a nutshell. This was written correctly (spoiler alert!) but the ending was way over the top and unnecessary. It was almost like an American film where they have to make everyone feel good. The ending closed up character plot lines but this could have been done in a dialogue – perhaps with his wife. She needed her husband back!
Raphael Balthazar played by Tomer Sisley, an Israeli-French male, has become my new fascination. I am going to spoil it for you though, but this has not been indicated in the series (at all). My suspicion is and maybe you will prove me wrong, maybe they will, but I think he is the one who killed his wife. At the end of Season 2; there were too many weird things at the ending segment that suddenly made me quite curious. His friend was dead, he was a ghost talking to him and they finally told us another clue – it had to be a doctor. Red Herring of a TV show? We shall find out in Season 3; as Acorn TV has indicated there will be one. Hard to tell with foreign TV.
Monsieur and Madame Adelman, a movie (Kanopy/Roku), starts off with the ending. It is predictable that Madame is going to tell someone at the funeral her life story. This is the last time you can be pretty sure of what is going to happen, well, until the
ending that explains the ending. At this point, the characters personalities have been built and so one can trust the obvious. As she begins to tell her story, which begins in the 1970’s, it seems as if this will be a typical love story. You can imagine this, though from the onset, Madame comes across as a cynical woman. She is begging you to pay attention. What comes across to the viewer are exceptional performances from Doria Tillier and Nicolas Bedos (he also wrote the score for the film, directed it and they both wrote the screenplay). Or did she, while he supervised? This is an inside joke from the film.
This film is hilarious in a very witty way. The couple is a duo of intellectual compatibles who take a moment to light their fire. There is no holding back with the lines, which I appreciate from the French. They are not trying to be Politically Correct either, as most modern films are today. True film lovers want to be stimulated by foreign films, because it gives one the sense that they are in the native country. Bringing in non-natives only throw off the vibrations of the storyline by having to deal with the non-natives. However, this being said, a favorite line in the film is “Do we live on a plantation now?” (probably not exact but approximately what Monsieur says). This speaks to the entire film community in the sense that it is saying – “Aren’t we in France?” There is also a play on the stereotype of the “Latin Lover,” at one point which is crucial to the turning point in the film. Is it possible that his character was more comfortable with a cliché than someone from his own roots?
This film seems reminiscent of a Woody Allen film; during his New York period. There isn’t a lot of outdoor scenery, so you could almost be anywhere, save for the décor and the language. The names dropped in the film are some of the best writers of our time and the discussions parallel what you might see in “Annie Hall” or “Crimes and Misdemeanors.”
The children of this couple are somewhat like that in “The Royal Tannenbaums,” misfits created by narcissistic lovers. The first child is a tragedy but in line with making this a humorous tale. A second child is a hint at the controversy, once assumed, with regard to Charlotte Gainsbourg and her father Serge (he is used as a character in a scene).
This real-life couple is in their 30’s and as a result, their aging process on camera is quite interesting to watch. The make-up artist did such a wonderful job, it almost felt as if these were different actors in the role.
The film was released in France, 2017 and is listed as a French and Belgium production. It received many nominations but, sadly, only won Best Narrative Feature in the Hamptons International Film Festival.
A French Village is set in German occupied France, World War II. We are being shown local townspeople being forced to make choices to survive. It is romantic, because there is always love when you are in a traumatic situation. It is not biased and so you see bad Germans and bad French. What is amazing is that the most important thing that you see is people at war. As you watch it, you have to try not to view this from the lens of an educated person who obviously knows what happened during WWII. You must try to behave as ignorantly as the characters are to have an ability to appreciate their choices and empathize with them. Some people you don’t empathize with such as the character Heinrich Müller, who enjoys putting cigarettes out on people. Including the one he loved.
Today, I watched the first episode of the third season and was struck by the fact that I felt as I did when I worked in the county government for eight years. In this episode the head of the local government, the prefect (I believe he is called or deputy prefect) is handed a list of Jewish names to round up in the neighborhood. Up until this time, the city of Villenueve was protected and the Jewish people could more or less feel their lives were somewhat safe, although they were unable to run their businesses. In this tiny town, they assumed that the Prime Minister Phillipe Pétain, had the power to protect French Jews from being deported. In this episode we learn that this has now changed. When I worked for the county government our mindset was “What was in the best interests of the children,” until the recession hit. Then it was all about saving money and putting them in the cheapest places. I fought this and all the other changes that were going on until I was put on Administrative Leave for a year and then I finally quit. I quit because their evidence was lies or fabricated stories and I knew I would be fired if I stuck around. I couldn’t believe that a huge agency like that would be so concerned about me (there were lots of people involved). So while, my personal situation with the government is a far cry from making decisions during World War II, I like putting things into perspective with the here and now.
When you think of a soldier at war, doing what he or she is told to do, they really don’t have any choices of whether or not they like it. When the “team” loses, suddenly we turn on them, and everyone is punished; whether they really had a choice or not. This is something I keep thinking about as I watch this show. While the character may seem bad, you can recognize a corporate boss; eager to get a promotion. You can see a “company man” who does what he is told. When you are working for corporate America or government, this is how most people behave. Most employees don’t sit down and weigh the consequences of what their boss tells them or how it is going to affect people, business, employees, or the community at large. You just do it because that is what you are told. At the end of the day, you go home to your families and try to forget about what you heard. I didn’t have a family to go home to, so I went home and thought about my day a little more. That was my problem, I thought too much!
As I have seen a trailer for the seventh and last season, I am aware of the fact that many of these people will be blamed for the choices that they made. Every episode has been and is going to be sad and tragic but that one will be the hardest to endure. The reason is that these characters who have lasted till the seventh season, their lives will have been disrupted to the point of forgetting who they are. Already we are seeing choices that are being made to help a Jewish maid, or a lover, or a business associate who is collaborating to stay alive. They aren’t trying to help a vast number of people though at times they try to get the list, for example, from 20 down to 10.
It is really too bad that most Americans, especially liberals won’t see this TV show. As far as I am aware, the only way you can see it now is if you have MHz Choice which is an international channel you have to pay for and have to know it even exists. I was aware of MHz from PBS when they pretended to collect International Mysteries from around the world. After doing some digging I realized the guy on PBS was lying; all they did was purchase a channel. They had me going though for a while there. American liberals love to blame people and do it so loud that you feel nauseous having to listen to it day after day after day. I feel that most of the time it is very hypocritical and seems to lack in values. I am on the border of the left and right and can never seem to sit on one side.
We are in an era now where people are being blamed who had ancestors in the Civil War. They want to take down a statue of a soldier in the South, General Robert E. Lee. He was a man who did his job and because he came from the south, chose this side so he wouldn’t be killing his own family. He was a soldier being asked to lead a team, a side of government. If the south had won, we would want to tear down a statue of General Ulysses S. Grant. I don’t see a need to tear down any statue because I am fond of history. General Lee wasn’t responsible for slavery as Adolph Hitler was responsible for the holocaust. It is apples and oranges; but here in America we are not reasonable people. We allow ignorance to prevail because we feel sorry for them (those in this mindset).
A French Village could teach Americans quite a great deal about having to make choices in a time of war.
Whether or not they would be able to focus on such a great historical show without finding it racist, I could not say. The show even shows a shady Jewish character, could Americans handle this? This seems to be the new wave of lying to our children. We educate them with period pieces that have politically correct storylines rather than literal or factual storylines. If North and South, probably one of the last great American TV historical fictions made, were filmed today; it would be such a joke. No doubt they would not be able to create an honest re-make. The actors would complain that they could not do the show because they could not speak the historically accurate lines (which would mean they are terrible actors).
I cannot imagine how tense it must have been to be on the set of A French Village. These actors do not ever come out of character, so that we are able to feel as if we are there; with them. I feel transported into another time and place. I feel tense every moment, wondering what will happen to this person or that. So tense that I had to look it all up online to see who will live and who will die. I just couldn’t keep watching without this sense of relief because it is traumatizing to watch this TV show. I do know what happened and while I try to think like the character, I am not perfect. When you feel like these characters are real people and they actually existed, you know you are hooked and drawn in.
If you have read “The Nightingale,” by Kristin Hannah, published in 2015, you will no doubt appreciate A French Village. I had read it last summer and so it was fresh in my mind. Two completely different stories as Ms. Hannah’s book was a little more biased. I feel it is important that A French Village created a lack of bias so that you can wonder. So that you could have a discussion after watching the show and think a little more deeply about those times.
I grew up with a step-father who took political asylum in the United States in 1956. When I wrote a historical fiction about that time period, it was while I was on leave from the government. It was actually perfect timing to have a sense of communist Hungary. I remember a family member telling me that I was actually on house arrest from my job. At the time, I had no idea why I was being paid to stay at home and do nothing. My father raised me to fear Russians and communists. He told us all kinds of horrible stories. I tried not to be completely biased while writing because I knew some of that was his hatred of people who ruined his life and his family’s lives. As I did research, as most historians due, you read the facts and put together your own interpretation of what you see. This is blended together with the biased interpretations of the people who witnessed. I don’t say biased in a bad way either. No one can ever really know the whole story. A French Village seems to be saying this. They are showing you a broader perspective, 75 years later.
I’ve just finished watching the 2016 film “Things to Come,” and before this I had seen the movie “Elle,” a few months ago. Both were made (or released) in the same year, starring Isabelle Huppert. She has always seemed to me to be a very smug actress and yet I feel drawn to her. I find her characters deeply moving. No matter that she always seems to portray the perfect psychopath, it feels as if she is on the verge of an aneurism. Most Americans would call her characters intellectual snobs. Partly because she is not funny, unlike Woody Allen who can make a discussion in philosophy seem like a night at a comedy club. Also because she is a woman and while we try to pretend we are modern here, we just can’t handle the honesty portrayed by characters in French movies in general. We pretend to observe and honor freedom of speech in our constitution but only if people say what is popular for the times. In truth, there is no room for a good debate in America which is probably why the traditional “salons” of Paris never existed here. Once we made very good and intelligently written movies, now we have opted for special effects and pop culture actors who speak in slang because a cerebral film would not be considered a “date night” film.
It is interesting though because when I see Isabelle on screen, I think smug. When I went to look up images of her for this article, I saw something quite different. Real life photos and still movie shots don’t really show a smug woman at all unlike Kristen Scott Thomas, who I find extremely annoying to watch on screen. Ms. Scott-Thomas seems incapable of enjoying the company of women and seems like the kind of woman who would never be married but you would always find her with a betrothed man. Isabelle’s photos instead show a woman in constant thought. Whether this be wondering what to make for supper or hoping the photo shoot will end so she can pick up her cat at the vets; I could not say. In my imagination she is thinking about the conversation she had last night at a dinner party.
And yet this woman, who appears very strong and powerful on screen, is a very petite woman. I had never actually realized this before but in “Things to Come,” it seemed more obvious. She also sports a ponytail and very casual clothing worn in a very chic and stylish way. French women can carry off the cute girl look of someone in their 20’s because they don’t seem fixated on plastic surgery and often seem so young anyway. The irony of French films is that what you see is not what you get. In this film she was not quite her typical character though. She portrayed a married housewife albeit a professor at a university, but one who still came home to cook and clean while the husband sat in a traditional male role, even though they were equals in academia. I suppose though as she cannot sit still for one minute, he probably gave up and observed a male stereotype or in our generation, expected it. I say she wasn’t typical because there were no bizarre moments where her character does something that one might think but never do.
It was actually very difficult for me to see her in Elle. A character played by Isabelle Huppert being raped? This is not possible. So it makes absolute sense that the part she plays isn’t really about being raped, it is about opening up to an untapped perversion. I imagine most Americans probably saw it as France’s version of Thelma and Louise. I silently laughed at the end because I supposed this would be the case. Perhaps I am too harsh but since most people don’t allow introspection when it comes to art, and it would be anti-feminist to dare to say a rape scene was actually foreplay for what was to come. When you watch the movie like an Isabelle Huppert fan, you can’t possibly take the rape seriously. To me it was not much different than the butter scene in “Last Tango in Paris,” except they did play the Elle scene up a bit to give it a flare for the dramatic; probably to compete for an American audience. The film won a Golden Globe, as did Ms. Huppert and she was nominated for an Oscar.
As I mentioned previously Isabelle Huppert’s characters just can’t sit still. There is constant motion, not like a dance but someone with Severe Anxiety who needs to calm their mind. After watching the film, “Things to Come” this evening, I found myself jumping up to wash dishes I had earlier hoped to leave for tomorrow. Before I did this, I vacuumed the living room floor. Her energy can be very addicting.
My favorite film, released in 2000, was “Merci Pour Le Chocolat.” I have seen this twice because it is somewhat humorous to me. Film Noir often has an element of grotesque; a point in which you want to turn your head. With Merci, it was reminiscent of a Hitchcock type film, such as “Rear Window,” so it is important to see every moment. The Gothic house that looks like it lives in a graveyard and the piano playing which seems to unlock a deep wound in the soul of her husband. He is more like a victim of the Narcissist: helpless, passive, inane, the piano is almost like the strings for a puppet. Actually he plays the piano almost like a patient at a psychiatric ward (a scene from many movies where they are in one).
If you get a chance, watch a few of her films and see what you think. Just don’t expect Geena Davis or Susan Sarandon. Ms. Huppert is in a rich, strongly written, well-acted, league of her own – pun intended.
Of course it doesn’t hurt to grow up in a European-American family. Where the world that revolves around you speaks another language, has different values, talks about the old country and you begin to look at America as a second home. Watching foreign films for me has always felt as if I were welcomed; as one of theirs who got away. That I was getting a sneak peek into a home that existed but that I had never lived in; yet it felt like it belonged to me. There was a sense of familiarity about it. Déjà vu.
Foreign film observation began at home, not with my family but with Kukla, Fran and Ollie. This was a children’s program that featured the puppets Kukla and Ollie and their friend Fran who would host a film from around the world each week. There is a website to learn more about this but unfortunately very difficult to get the actual films. Hello Netflix?!? This would certainly be a great program for you to buy. Since Kukla, Fran and Ollie was an American program, all the characters were dubbed with British English from what I recall. I didn’t realize it was dubbing as a child, I just though everyone spoke English with a cute accent. There may have been a couple of programs with subtitles but I can’t recall. I do remember circus bears on the loose, a Cinderella story with a bird that would say “Koo-koo-ri-koo, Who is the one for you?” and other wonderful adventures that kids would get themselves into.
As an adult, I had quite forgotten about foreign films for a few years and then, while managing a records and tapes (i.e., VHS and cassettes) store in Los Angeles (this was the onset of Compact Discs too), I suddenly re-acquainted myself with the genre once more. You’ve probably heard this phrase said for other reasons but I will use it here for this “Once you go foreign, you will never turn to American ever again.” Settle down and grab your Cadbury, Lindt or Toblerone (a reason to never eat American chocolate again) and enjoy the show!
1. Subtitles are not that difficult. If you are literate you will get used to it. If you like tennis, you already know how to bob; only now it is vertical instead of horizontal.
2. Foreign films are intellectual and a realistic view of life. It helps to look within as you view the characters that resonate with your own feelings, strengths and weaknesses. If you are pissed off at the character there is something within you that is just like them and this bothers you. If you are so passionate about the lovers that you feel ill inside when they are kept apart, even at the end of the movie, and are depressed for several days after, that’s not entertainment folks, that is the mark of a great film.
3. There are no happy endings because the world is not a happy place. No one lives happily ever after and no one says that tireless bs that you see in cookie cutter films, here in the U.S. Yet at the end of a foreign film, you will be thinking about the ending for days and weeks on end, still wondering “What if?” just like the one film the U.S. got right in “Gone With the Wind.” If a film isn’t bugging you for some time after, it wasn’t worth it.
4. When they are funny, it is sarcastic humor. Life is never funny when you have had your village annihilated by Hitler or your country was taken over by communists or the British or someone who had power during those years in question. So you laugh because you can’t cry anymore or because you know that this is a memory that will be replaced in the future, or you nod your head in some form of cultural agreement.
5. When it is really dark, the writer has pulled out some psychological button that you have thought about but never dared to speak in public. These are the best moments because you almost feel a sense of guilt that someone else was thinking it too. You can almost feel a kinship but it is too perverse to even smile. If someone sees this on your face, they will know your deepest secrets.
6. The French could be called perverse but the Chinese have upped it to a degree you won’t even see in a pornographic film. I’ve had to turn it off because it was hitting the “ick” zone in a way that, well, wasn’t in my bureau for psychological buttons but it could be in yours. The French tried even harder with Nymphomania 2 but since I only read the abstract on Wikipedia and decided Part I was enough for me, I couldn’t be too sure.
7. India has it all, film, musical, romance and absolutely NO SEX. Yet you get so caught up in the story, you actually forget that the lovers never once touched anything except their hands – if that. That is good storytelling. It is quite rich in family values and I think they are a must to watch for all virgins as the female leads are all very good role models. Yes, it is all about weddings but the brides all deserve to wear white, even if that isn’t their custom. They all gain a deep amount of respect which is really the point.
8. Hungary has mostly been poor depressing people up until this past decade. They have begun to bring in some modern storylines, some good, some depressing because you can see how much the country has been ruined by capitalism and the other word one dares not say. The older films however, really teach you a lot about all those years of history, how people survived. So don’t get squeamish when you see a horse being butchered in the street and morsels handed out to kids to take home to their parents (in their bare hands). You really get a sense that this is what it is like to live so desperately in tough times.
9. The Spanish have Pedro Almodóvar who has directed some hilariously dark comedies or as the French say Film Noir. Penelope Cruz appears to be his muse and while she could be said to be the most beautiful woman in the world, (now topped by Fahriye Evcen from Turkey or shall I say Feride in Lovebird), I’ve seen Ms. Cruz get really really ugly and that is acting! I am not talking about looking dirty but having bleached teeth when she smiles either. I am talking unrecognizable as in “Don’t Move.” If you watch the extras in a take home film, they have her act out different moods while sitting on a stool and it is here that you are able to see how a real actress performs, without costume and script. “Don’t Move,” is probably the most beautiful I have ever seen Ms. Cruz in a movie, even though she is portrayed as a really ugly woman. The character’s personality, especially at the end, it is quite moving.
10. The Turks really love to mess with your mind by making you feel such love for the couple that you feel they have stabbed your own heart at the end because they never end up together. I think it must be a sin to show true love on film and they have to get around it this way. I’ve recently found myself turned on to their films since Netflix is my new foreign film delivery service. At first I thought everyone in the family had the last name of Bey. It took me awhile to realize the women weren’t called this and then to see that the neighbors who were called this were not their brothers. I assume it means Mr. as in Monsieur or Herr or Señor. This is the great thing about foreign films; you learn a new language – at least a few words that would give you some understanding when you travel abroad.
11. The Italians have Sophia and Gina and well, now they have Luca Zingaretti, for the ladies. As a young girl I looked up to these beautiful women, now I am the older woman and I am more focused on the handsome older men. Inspector Montalbano is like Bruno Cremer in Maigret (with a better body, though Bruno was sexy) or John Thaw in Inspector Morse (still anal but not a heavy drinker). These are the kind of men who you hope inhabit your local police force but are pretty sure they don’t. The Italians remind you that the mafia is still alive and Italian-Americans aren’t faking Italian (except that ridiculous reality show). They probably talk more with their hands in NYC then Rome and more on the streets than in the professional world.
12. The Brits are hands down the easiest to understand because we speak their language – or do we? Nope, you have to learn the slang and the accent. “If truth be told,” a fag is a cigarette, getting pissed means you are drunk, serviettes are napkins, napkins are diapers, a boot is the trunk of your car, and so on. Try the British “Mars” bars too, much more richer and delightful. Stay away from the “All Sorts” though if you can’t stand licorice like me. By far they have the best TV shows that capture forensic episodes with real people not cute models. You have to add any film with Bill Nighy to your list; sexy and hilarious for a too skinny guy. There are lots of other old blokes over there that play character actors better than our big stars here. When you see them appear on a film (and once you get to know them you can get excited with only the opening credits), you know you are in for a treat. Great actors like this know how to carry a film and how to pick one too.
13. The women in foreign films are real people. I mean you feel like they are your neighbors and this is what gives you the sense that you are welcomed into the story. You know these women and men, it seems you have met them before. Sure there are the outstanding looking beauties but generally they aren’t playing the outstanding looking beauty in the film. Often, they will take a less gorgeous lady and dress her up and suddenly she is the most beautiful woman in the world. It is the character that makes her or him very lovely, not the costume though. When I think of Bruno Cremer in Maigret, we are looking at a slightly obese man with a huge mole on his face, yet the character he is playing respects women, dresses sharp, smokes a pipe – which is quite debonair, is loyal to his wife and the most intelligent man on the show (that is the funny part which you have to see it to get it). We are so stuck on size 3 waists here and no one really has this except models and actresses, people you will never meet. The majority of the women in foreign films are an average sized woman of a size 8-12.
14. If you find that the movie is going along very slowly and seems almost boring, just trust the director. This is building a scene for a particular purpose or a character or a culture. If you are patient, it will all make sense and by the end of the film you are going to really appreciate those opening scenes because it will all begin to come together. Sometimes the beginning can be really weird too with a lot of confusing scenes, trying to introduce so much in a short space. Again, stay still, trust the director, it is going somewhere good. I often find this is a clue that something better will come.
15. You will be so moved by foreign films that your tears will fall for the first time for a reason that you know will change your life forever.
Women of exceptional taste in todays society are multi-faceted. They are sophisticated, successful in a career, have good taste in clothing, don’t use plastic surgery (if over 40), are involved in various philanthropic efforts and are admired by women around the world. Some of these women speak more than one language a commendable trait. Many of them have children or grandchildren as well and this is an aside. What is remarkable about our generation is that these type of women can now choose not to have children or wait until they are ready to have children.
Judi Dench began her profession in 1957 and has been on stage, TV and movies in the United Kingdom, as well as a crossover or two in the U.S.
Catherine Deneuve has delighted French audiences since 1957 as well. She was once considered the most beautiful woman of the world and yet all the women here are in this category.
Amal Clooney is an International Forensic Attorney that has been in practice since 2000.
The Duchess of Cambridge came to our attention around 2007 though it was in 2011 when she began to hold her title. She is involved in a great many philanthropic adventures but of particular interest is mental health.
Helen Mirren began her career on stage, TV and film in 1966, in the United Kingdom. Like Ms. Dench, has crossed over into U.S. films as well.
Penelope Cruz began a career in Spain in 1989. She has been a model, as well as acting on television and film. Her work has also crossed over into the United States. She is thought to be the muse for the Director, Pedro Almodóvar
Meryl Streep has been an American actress since 1971 and has crossed over into films around the world, not speaking the language but being known for an ability to take on various accents.
Salma Hayek is from Mexico and has been involved as an actress, producer, and model. She produced the “Ugly Betty” TV series in the United States and starred as well as produced the film “Frida.” You can find her in both Spanish and English roles.
Queen Noor Of Jordan. An American woman who once reigned until her husband, Hussein of Jordan died (1978-1999).
Isabel Allende is an Author from Chile who has brought us a couple of dozen novels. One of these novels, “The House of Spirits,” was brought to the screen in the United States in 1982.
These are merely a sample of women of exceptional taste from around the world. Certainly a great many more that are not well known but who forge careers and are worthy of great merit here yet may not be seen in the public eye. A couple of the women noted here would not even be known had they not married a “celebrity,” and yet their careers are what brought them into view of that person of interest.