I’ve just finished watching the 2016 film “Things to Come,” and before this I had seen the movie “Elle,” a few months ago. Both were made (or released) in the same year, starring Isabelle Huppert. She has always seemed to me to be a very smug actress and yet I feel drawn to her. I find her characters deeply moving. No matter that she always seems to portray the perfect psychopath; it feels as if she is on the verge of an aneurism. Most Americans would call her characters intellectual snobs. Partly because she is not funny, unlike Woody Allen, who can make a discussion in philosophy seem like a night at a comedy club. Also, because she is a woman and while we try to pretend we are modern here, we just can’t handle the honesty, portrayed by characters in French movies. We pretend to observe and honor freedom of speech in our constitution but only if people say what is popular for the times. In truth, there is no room for a good debate in America which is probably why the traditional “salons” of Paris never existed here. Once we made very good and intelligently written movies, now we have opted for special effects and pop culture actors who speak in slang because a cerebral film would not be considered a “date night” film.
It is interesting though because when I see Isabelle on screen, I think smug. When I went to look up images of her for this article, I saw something quite different. Real life photos and still movie shots don’t really show a smug woman at all unlike Kristen Scott Thomas, who, I find extremely annoying to watch on screen. Ms. Scott-Thomas seems incapable of enjoying the company of women and seems like the kind of woman who would never be married but you would always find her with a betrothed man. Isabelle’s photos instead show a woman in constant thought. Whether, she is wondering what to make for supper or hoping the photo shoot will end, so she can pick up her cat at the vets; I could not say. In my imagination, she is thinking about the conversation she had last night; at a dinner party.
And yet, this woman, who appears very strong and powerful on screen, is a very petite woman. I had never actually realized this before but in “Things to Come,” it seemed more obvious. She also sports a ponytail and very casual clothing worn in a very chic and stylish way. French women can carry off the cute girl look of someone in their 20’s, they don’t seem fixated on plastic surgery, as we are here, and often seem so young anyway. The irony of French films is that what you see is not what you get. In this film she was not quite her typical character though. She portrayed a married housewife, albeit a professor at a university, but one who still came home to cook and clean, while the husband sat in a traditional male role, even though they were equals in academia. I suppose though as she cannot sit still for one minute, he probably gave up and observed a male stereotype or in our generation, expected it. I say she wasn’t typical because there were no bizarre moments where her character does something that one might think but never do.
It was actually very difficult for me to see her in Elle. A character played by Isabelle Huppert being raped? This is not possible. So it makes absolute sense that the part she plays isn’t really about being raped, it is about opening up to an untapped perversion. I imagine most Americans probably saw it as France’s version of Thelma and Louise. I silently laughed at the end because I supposed this would be the case. Perhaps I am too harsh but since most people don’t allow introspection, when it comes to art, and it would be anti-feminist to dare to say a rape scene was actually foreplay; for what was to come. When you watch the movie like an Isabelle Huppert fan, you can’t possibly take the rape seriously. To me it was not much different than the butter scene in “Last Tango in Paris,” except they did play the Elle scene up a bit to give it a flare for the dramatic; probably to compete for an American audience. The film won a Golden Globe, as did Ms. Huppert and she was nominated for an Oscar.
As I mentioned previously Isabelle Huppert’s characters just can’t sit still. There is constant motion, not like a dance but someone with Severe Anxiety who needs to calm their mind. After watching the film, “Things to Come” this evening, I found myself jumping up to wash dishes I had earlier hoped to leave for tomorrow. Before I did this, I vacuumed the living room floor. Her energy can be very addicting.
My favorite film, released in 2000, was “Merci Pour Le Chocolat.” I have seen this twice, because it is somewhat humorous to me. Film Noir often has an element of grotesque; a point in which you want to turn your head. With Merci, it was reminiscent of a Hitchcock type film, such as “Rear Window,” so it is important to see every moment. The Gothic house that looks like it lives in a graveyard and the piano playing which seems to unlock a deep wound in the soul of her husband. He is more like a victim of the Narcissist: helpless, passive, inane, the piano is almost like the strings for a puppet. Actually he plays the piano almost like a patient at a psychiatric ward (a scene from many movies where they are in one).
If you get a chance, watch a few of her films and see what you think. Just don’t expect Geena Davis or Susan Sarandon. Ms. Huppert is in a rich, strongly written, well-acted, league of her own – pun intended.
Originally written 5/14/2017