Shame Has to Change Sides – The Gisèle Pelicot Story

Ms. Pelicot’s story is one that I learned about in the news after the court hearing against her husband and other perpetrators began. She is from France. I was fascinated with the knowledge that she had requested the courtroom be opened to the public at the Palais de Justice. The title “Shame Has to Change Sides,” coincides with this. She had heard this term from a woman’s group, I believe she says in her book. It meant that instead of her facing the humiliation of being alone in the courtroom, with all of her perpetrators, instead, the room would be filled with journalists (from around the world) and women wanting to hear her story. These people, who flocked in daily once the word got out, were now facing the perpetrators, so they could not be anonymous. This was a very brave action on her part, especially as these people would also be witness to the humiliation and degradation that was done to her in more than a decade. The book she writes, “A Hymn to Life,” gives us the details of her fifty year marriage to the “monster.”

Continue reading

Jules et Jim – 1962 François Truffaut

Jules et Jim (et Catherine, et Albert). Notice who is in front and where everyone’s eyes are.

This movie is a story about to men in friendship with each other, pre-WWI. One is Austrian, the other French. They meet Catherine who is mentally unstable but a lot of fun to be around. There are a lot of female stereotypes that she does not conform too and because they are not therapists and in that time period didn’t know anything about personality disorders, they looked past her eccentricities. One will end up regretting this at the end of the film.

Continue reading

Isabelle Huppert, She’s Not Smug

I’ve just finished watching the 2016 film “Things to Come,” and before this I had seen the movie “Elle,” a few months ago. Both were made (or released) in the same year, starring Isabelle Huppert. She has always seemed to me to be a very smug actress and yet I feel drawn to her. I find her characters deeply moving. No matter that she always seems to portray the perfect psychopath; it feels as if she is on the verge of an aneurism. Most Americans would call her characters intellectual snobs. Partly because she is not funny, unlike Woody Allen, who can make a discussion in philosophy seem like a night at a comedy club.  Also, because she is a woman and while we try to pretend we are modern here, we just can’t handle the honesty, portrayed by characters in French movies. We pretend to observe and honor freedom of speech in our constitution but only if people say what is popular for the times. In truth, there is no room for a good debate in America which is probably why the traditional “salons” of Paris never existed here. Once we made very good and intelligently written movies, now we have opted for special effects and pop culture actors who speak in slang because a cerebral film would not be considered a “date night” film.

Continue reading

L’Art Du Crime: France TV Series

The Art of Crime, (2017 – present) stars Nicolas Gob (A French Village) and Éléonore Bernheim.

Murderers in Paris think about art before committing a crime – right? They have the Louvre, and so many famous French artists: Degas, Manet, Monet, Toulouse-Lautrec, and Rodin for starters. Aren’t all Parisians cerebral junkies who feast on literature, opera, art, fashion, wine, and jazz from the time they are born till the time they die? It is only natural to assume that they murder sometimes too. The average detective in France is probably not an art connoisseur,(probably brought into the city), and as a result, an art historian has to be brought in. She along with the occasional support from her father, who shares her knowledge and pedigrees, must work side by side with homicide to find the culprit behind each heinous crime. In the meantime, one learns more about art and the other about crime.

Continue reading

Audrey Fleurot – The New Catherine Deneuve

Elle Magazine 20 July 2020

I love many French actresses but Mlle. Fleurot has a style that I have not seen since Catherine Deneuve. This is not putting any of the other women down, there is just a similar type of elegance and grace that comes with this lady. She appears tall and striking on screen and seems to tower over others. Her presence on camera jumps out at you whenever she appears and you almost forget everyone around her. Her demeanor comes across as a delicate flower, assuming she is a vulnerable woman and yet, there is nothing helpless about her. It is a mixed message that she plays in all of the roles that I have seen her in.

Continue reading

An Impossible Love: Un Amour Impossible

I will not put this movie (French 2018), in “The Arts” section because it is a psychological drama that hits on the topic of sexual abuse, narcissism and women being left alone for several generations; much like Antonia’s Line (Netherlands, 1995). The film starts out in the 1950’s post WWII France. If you are a great film lover, as I am, you will know when you see the cover and the title, it just hits you – I must watch this film. What really piqued my interest was the title “An Impossible Love,” which hit home for me. I saw other things in the description that I ignored at first until it came up on the screen. I love the way Catherine Corsini handles abuse of a child in this film. Extremely subtle. The topic does not even come up until much later in the film. The child’s older lover tells the mother, not to let her daughter visit the father anymore. The shock on the mother’s face, to realize a man she has loved for 16 years, but who has rejected her all the same, is now sexually abusing their daughter. The shock to finally take in the missing pieces of this puzzle “Rachel” has created, her fantasy that he was a great lover, that they had something special together, suddenly unravels before her eyes. Virginie Efira (with the help of the cameraman), gives a somatic demonstration of soul searching, confusion, awareness and reality in just a few seconds of this film.

Continue reading

Winter Garden – An Homage to Kristin Hannah

We three Leos’ have read your books which were handed down from one to another. First, it was Lia, who once was a little toddler that crossed the border from Hungary in 1956 with mommy and daddy. She was sick and they were granted passage on a plane to get her to America more quickly, I believe from an Austrian camp. Then it was her mother, Marika neni who read it next. Marika neni has told me her story many times of coming to this country. She was a woman I grew up with, who was like an aunt but more of a sister to my stepfather. Lia was our babysitter in my formative years. Marika neni and my stepfather met at Camp Kilmer in New Jersey, when a group of refugees decided on Wheeling for their new home.

Continue reading

The Perfect Host; not a Perfect Movie

The Perfect Host stars David Hyde Pierce as Warwick Wilson, in an outstanding performance as a first-class creep. He has gone a long way from Niles on Frasier, our first cerebral goofball to see on television. As a psychotherapist, I always reveled in that show and the intellectually snobbery between he and his brother. In this role as Warwick, he has stepped into a new dimension (perhaps he has done this in another role, but this is my first time to see him in this type of character portrayal) and mesmerized me the entire time. The dissociative identity disorder idea was flabby in the storyline but made sense, nonetheless. He could have been schizophrenic as well, but I think the writer wanted to portray DID instead.

Continue reading