The secondary title of this Irish film set in 1974 which is meant to be about Irish history should be “There is an African in the Pub.” He has absolutely NO relevance whatsoever to this film, which I am calling a pseudo historical fiction. Yet, the filmmakers had to stick him in and had to have Liam Neeson’s character Finbar, babysit him throughout, because it is important to them to bypass the real reason we are watching this film – to focus on a part of Irish history.